Latest News:

  • 13.08.2018 - Javier Camarena announces debut album on Decca Classics with Cecilia Bartoli

  • As announced today in Salzburg, Javier Camarena’s newest recording, Contrabandista, is available for pre-order on Decca Classics. The album, Javier’s debut on Decca Classics and the launch of Cecilia Bartoli’s new label “Mentored by Bartoli,” is an exploration of Spanish tenor, composer and impresario Manuel García. Javier performs three world premiere recordings of García works alongside arias by Rossini and Zingarelli...

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  • 12.08.2018 - Kate Lindsey: ‘L’Incoronazione di Poppea’ To Be Live Streamed On medici.tv

  • On August 20, Medici will showcase Monteverdi’s L’Incoronazione di Poppea with Sonya Yoncheva in the title role and Kate Lindsey as Nerone. Stéphanie d’Oustrac, Carlo Vistoli, and Renato Dolcini also star. William Christie conducts Les Arts Florissants in Jan Lauwers’ new production. 

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  • 12.08.2018 - Ildar Abdrazakov: Ernani at Teatro alla Scala

  • Ildar Abdrazakov returns to Milan to star in Verdi's Ernani from September 29 - October 18 at Teatro alla Scala. He sings the role of Don Ruy with Francesco Meli as Ernani, Ailyn Pérez as Elvira and Simone Piazzola as Don Carlo. Sven-Eric Bechtolf will direct this production conducted by Ádám Fischer. For more information and tickets, click here.

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  • 12.08.2018 - Gaëlle Arquez sings Medea in Vienna

  • From November 16 - 25 Gaëlle Arquez stars as Medea in Händel's Teseo, with Lena Belkina in the title role and Christophe Dumaux as Egeo. The performances are lead by René Jacobs. For more information and tickets, click here.

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  • 08.08.2018 - Ildar Abdrazakov: der "Mustafà" der Salzburger Festspiele im Interview

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  • 06.08.2018 - Sondra Radvanovsky: Anna Bolena at the COC review

  • "The Canadian Opera Company saved the best for last this season staging Anna Bolena as a vehicle for the soprano Sondra Radvanovsky. On opening night, April 28, she was on top form, singing with a kaleidoscope of tone colours, her voice completely secure and beautifully focused. In the very long Mad Scene, she was indefatigable. Her Anna was complex, with a full range of emotions - fear, fury, sadness, irony, vulnerability, resignation, and everything in between." Opera...

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