Latest News:

  • 14.01.2018 - February performances

  • Regula Mühlemann starts the month of February in Salzburg, singing at the Mozartwoche with Siobhan Stagg and Rolando Villazón on February 4. She then embarks on a tour with Die Deutsche Kammerphilharmonie Bremen and the Gaechinger Cantorey, in which she sings the soprano solo in Händel's The Seasons alongside Werner Güra and Arttu Kataja. This tour takes them to Hamburg on February 7, Bremen on February 8 and Stuttgart on February 10 and 11. Her...

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  • 14.01.2018 - Gaëlle Arquez stars as Carmen at the ROH

  • At London's Royal Opera House, Barrie Kosky directs Bizet’s much-loved opera, Carmen, with Jakub Hrůša conducting a cast led by Gaëlle Arquez. Andrea Carè sings Don José and Susanna Hurrell is Micaëla. The performances are on February 16 and 27, and March 8, 12 and 16.

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  • 08.01.2018 - Éxito acompañó a tenor Javier Camarena durante 2017

  • El éxito acompañó al tenor internacional Javier Camarena a lo largo del año que finaliza, con participaciones como en la Gala por el 50 aniversario de la Ópera Metropolitana de Nueva York o primeras apariciones en el Teatro Colón de Argentina y la Ópera de Las Palmas, o su debut en papeles operísticos. El cantante mexicano, de acuerdo con su página en internet, inició sus triunfos del año el...

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  • 08.01.2018 - Le triomphe de Gaëlle Arquez

  • Elle ne figurait pas dans l'échantillonnage cosmopolite des Carmen présentées en fin de saison dernière par l'Opéra de Paris. Mais au cœur de l'été des festivals, Gaëlle Arquez leur damait le pion à toutes. Elle était Carmen sur la scène ouverte et flottante de Bregenz, au bord du lac de Constance, affrontant pluie et vents. Sa robe rouge sang s'envolait dans la bourrasque. Dessous se...

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  • 08.01.2018 - Ildar Abdrazakov: Le Nozze di Figaro review

  • Not to be overlooked by any stretch of the imagination were the interpretations of the two leading men who cut quite opposing figures throughout the night. Whereas Ildar Abdrazakov played up Figaro as an aloof and genial relaxed fellow, Mariusz Kwiecien’s Count was an abusive hothead. Abdrazakov was finely attuned to Sierra’s vibrant energy playing it up with similar energy and even going a bit overboard at others. Upon revealing his plan to dupe the Count...

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  • 08.01.2018 - Regula Mühlemann and the Philadelphia Orchestra

  • The vast canvas of an oratorio that begins with the turn from Winter to Spring, and progresses through Summer, Autumn, and Winter, The Seasons, by Josef Haydn, expands this Sunday’s Philadelphia Orchestra in Concert broadcast to three hours. On this colorful journey, there are sunrises and sunsets, a thundering storm, and the marvelous sounds of nature, in Haydn’s masterpiece scored for expanded orchestra, three soloists, and...

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