Ildar Abdrazakov Profile Photo

Ildar Abdrazakov

Ildar Abdrazakov has established himself as one of opera’s most sought-after basses. Since making his debut at the Teatro alla Scala in Milan in 2001 at 25, the Russian native has become a mainstay at leading houses worldwide, including New York’s Metropolitan Opera, Paris National Opera, the Vienna State Opera and Munich’s Bavarian State Opera. His powerful yet refined voice coupled with his compelling stage presence have prompted critics to hail him as a “sensational bass … who has just about everything – imposing sound, beautiful legato, oodles of finesse” (The Independent). Being also an active concert artist, he has performed at London’s BBC Proms and at New York’s Carnegie Hall, as well as with leading international orchestras, including the Chicago Symphony Orchestra and the Vienna Philharmonic.

Latest News:

  • 11.10.2016 - Ildar Abdrazakov “honors Rossini and the audience in the best way possible” at the Met

  • Ildar Abdrazakov’s return to the Metropolitan Opera this week for the company’s revival of L’Italiana in Algeri has earned the Bashkirian bass acclaim for both his vocal performance and physical comedy.

    As the Bey Mustafà Rossini’s manic drama, the New York Timesproclaimed that “the evening belonged” to Ildar. “Vocally, he remained focused and resonant in every angle and turn of the sometimes preposterous coloratura passages Rossini assigned to him.”

    Added the Observer, “Ildar Abdrazakov was in fine, burnished voice as Mustafà.”

    “This was an entertaining evening, in part due to the quality of Rossini’s work itself, but substantially because of bass Ildar Abdrazakov’s performance as the story’s centerpiece,” wrote the New York Classical Review. “Abdrazakov is right at home in Rossini opera buffa … [his] big voice is perfect for the Bey’s buffoonish bluster, and he played the part with more ham and relish than a Chicago hot dog. More than entertaining, he was clearly enjoying himself, which spread an infectious pleasure to the audience.…His sheer glee in performing the part honors Rossini and the audience in the best way possible.”

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